A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: R

• Rabagliati, Jonathan (ed) George Hanson Critical Forum , book review by Kathy Battista 36/ 291
• Radakovic, Borivoj Posjetiteljeva Knjiga, review by Stephen Bury 43/270
• Radcliffe, Julia on First Tyne International; letters 29/139
• Radford, Robert When Politics and Art Part seemed to coalesce 1 5/20, Part 2 7/21; Kokoschka’s Political Allegories 3/97; Art for a purpose, the Artists International Association, book review by Paddy Kitchen 23/109; review of Jean Helion 18/110, Shirazeh Houshiary 26/169, Dorothea Tanning 25/171; Dalí, book review by Toni del Renzio 40/214
• Radical Nature: Art & Architecture for a Changing Planet 1969-2009 review by Colin Perry 23/330
• Radio Radio review by Sally O’Reilly 39/ 277
• Rae, Fiona review by Simon Morley 23/173
• Raft, The review by JJ Charlesworth 28/234
• Raftery, Alison Opening Lines: New Contexts for Artists’ Projects, book review by Margaret Garlake 39/215
• Rainer, Arnulf review by Timothy Foster 22/138
• Raj: India and the British exhibition review by Margaret Garlake 14/144
• Ramírez, Juan Antonio Duchamp: Love and Death, book review by Laura Moffatt 56/228
• Ramsay see Beagles & Ramsay
• Ranfft, Erich and Hughes, Anthony (eds) Sculpture and its Reproductions, book review by David Barrett 44/221
• Rangasamy, Jacques review of Balraj Khanna 22/137; letters 29/139, 31/140
• Rank: picturing the social order 1516-2009 review by Michelle Cotton 26/325
• Raphael, Max Proudhon, Marx, Picasso, book review by Brandon Taylor 29/41
• Raqs Media Collective review by Eliz Williams 29/330
• Rasmussen, Terjè and Morrison, Andrew Digital Media Revisited, Theoretical and Conceptual Innovations in Digital Domains book review by Michael Gibbs 40/267
• Ratnam, Niru book review of Richard Powell, Black Art and Culture in the 20th Century 42/206; Invisible inIVA 13/211; book review of Katy Deepwell (ed) Art Criticism and Africa 42/215; review of Vong Phaophanit 31/216; book review of Veerle Poupeye, Caribbean Art, Sharon F Patton, African-American Art, Anne D’Alleva, Art of the Pacific 52/222; review of Yinka Shonibare 40/225; book review of Nicholas Thomas, Possession: Indigenous Art/Colonial Art, Catherine King (ed), Views of Difference: Different Views of Art 41/231
• Rational Aesthetic: The Systems Group and Associated Artists, A review by Andrew Bick 22/314
• Rauch, Neo review by Mark Prince 9/257
• Raunig, Gerald Art and Revolution: Transversal Activism in the Long Twentieth Century (trans. Aileen Derieg), book review by Reuben Fowkes 41/316
• Rauschenberg, Robert review by Michael Newman 7/47, Christopher Want 20/137, Frederick Ted Castle 8/211; letters 24/212 obituary by Brandon Taylor 24/318; see also feature by Anna Dezeuze
• Rawlinson, Ian & Crowe, Nick review by Emma Safe 24/267
• Rawson, Philip book review of Mario Dubsky, Tom Phillips’ Progress 29/52
• Ray, Man review by Toni del Renzio 16/184, Erika Ledermann 43/186
• Re- review by David Briers 18/305
• README! book review by Michael Gibbs 43/226
• Ready, Steady, Go review by Margaret Garlake 16/154
• Readymade Project review by David Barrett 47/232
• Real World: The Dissolving Space of Experience review by Sarah Harrison 36/ 281
• Realism and the two Germanys John Roberts 15/150
• Reality Check: Recent Developments in British Photography and Video feature by JJ Charlesworth 7/262
• Reardon, John future of art education 7/320
• Reardon, Valerie book review of Naomi Salaman (ed), WHAT SHE WANTS 44/179; book review of Jochen Gerz, Life after Humanism Photo/Text 1988-92 43/184; review of Christo 17/186; Whose Image is it Anyway? Reply to article by Francis Frascina and Jonathan Harris 45/195; review of Side Tracks 41/197; letters 16/198, 19/199; review of The Pleasure of Aesthetic Life 29/202; book review of Griselda Pollock (ed), Generations and Geographies in the Visual Arts: Feminist Readings 47/204; review of Louise Short 39/206, A Quality of Light 42/207; book review of Adrian Heathfield (ed), with Fiona Templeton and Andrew Quick, Shattered Anatomies: Traces of the Body in Performance 33/213; review of Daphne Wright 28/215, Helen Sear 39/216; letters 15/217; review of Judith Cowan 35/217, John Hilliard 28/222, Postcards on photography 25/223; book review of Duncan McCorquodale, Naomi Siderfin and Julian Stallabrass (eds), Occupational Hazard: Critical Writings on Recent British Art and David Burrows (ed) Who’s Afraid of Red White & Blue? Attitudes to popular and mass culture, celebrity, alternative & critical practice & identity politics in recent British art 45/223; review of As Dark as Light 47/228, Trace 34/231, Artworkers 22/235, Honiton Festival 2000 38/237, Right Here, Right Now, letters 12/243; review of Home Series 41/244, Humid 36/245; letters 15/247; review of Eleanor Antin: Real Time Streaming 39/246, Nobuyoshi Araki48/248, Shen Yuan 51/249
• Rear View Mirror review by Mark Wilsher 20/ 281
• Reason, David on Bulgarian art 33/148
• Recession in art Mark Thomson 34/147
• Reckitt, Helena (ed), Phelan, Peggy (survey) Art and Feminism, book review by Cherry Smyth 47/251
• Recycling Lucifer’s Fall review by Cherry Smyth 33/272
• Recovering Radicalism see Dave Beech
• Recuperating Modernism see John Slyce
• Reedy, Carlyle review by Guy Brett 12/93; letters 22/86
• Reel Time see Mark Prince
• Reel to Real see Colin Perry
• Rees, A L A History of Experimental Film and Video from the Canonical Avant-Garde to Contemporary British Practice, book review by Rob Gawthrop 54/228; (ed) The new art history, book review by Brandon Taylor 28/100; review of Malcolm Le Grice, Experimental Cinema in the Digital Age 46/256
• Rees, Jeremy Bristol’s Arnolfini 25/13; Artnotes 21/82
• Rees, Roland A Picker Lecturer at Kingston 32/128
• Reese, Jane H History of papermaking 30/73
• Reeves, Aimie review of Andre Wilkinson/ Elizabeth Wright 41/183
• Refusing to Surface review by Andrew Wilson 20/161
• Regional Arts Associations 9/109
• Rego, Paula review by John McEwen 14/48, Margaret Garlake 8/60, 15/105; letters 28/106; review by Mel Gooding 16/121
• Reichardt, Jasia 1976-86, some observations 3/101; letters 24/103; Conference: Post-Modernism at Large 33/112; The Seventies 3/115; review of Jiri Kolár 24/135
• Reichardt, Tony A Pasmore finds a home in Queensland 5/72
• Reid, Susan E From Artist Outsider to Absolute Bourgeois? 3/131; Art in the Soviet Union 3/137; letters 30/138; review of Photo-reclamation: new art from Russia 31/179
• Re-imagining October review by Coline Milliard 26/331
• Reise, Barbara M review by John McEwen 2/15
• Reith-Roberts, Marcus Narrative Painting 33/38
• Reitmaier, Heidi review of Turning Up 31/181
• Relational Aesthetics see Dave Beech 46/ 278
• Relative Values review by Brandon Taylor 26/150
• Relph, Nick & Payne, Oliver review by Peter Suchin 25/ 290
• Remix: Contemporary Art and Pop review by Morgan Falconer 28/258
• Remy, Michel Surrealism in Britain, book review by Toni del Renzio 48/229
• Rendell, Clare review of Oliver Bevan 18/70
• Rendell, Jane Art and Architecture: A Place Between, book review by David Hills 40/313
• Renegotiations: Class, Modernity and Photography review by Julian Stallabrass 21/166
• Renzio, Toni del Art Education 27/37; review of Michael Andrews 17/42; painting from Nature 21/43; book review of Guy Atkins, Asger Jorn, 26/46; review of Guernica 6/49, Fascism and Modernism 16/58, de Chirico 16/59, Arte Italiana 2/62; book review of Howard S Becker, Art Worlds 27/63; The Vanguard Decade 10/67; book review of Janet Wolff, Aesthetics and the Sociology of Art 27/70; Art Education 27/72; letters 24/74; Art Education 31/78; letters 20/80; Art history joins the 20th Century 26/86; letters 21/88; book review of Richard Cork, Art Beyond the Gallery, Allan W Barrett, Community Murals, Michel Huisman, Bruxelles à Mur Ouvert, W J Strachan, Open Air Sculpture in Britain 30/89; Robert Melville Remembered 7/96; review of Je suis le cahier: the sketchbooks of Picasso 17/100; letters 25/100; Fuller what? Parish pump aesthetics 15/102; 1986 - the year of the man who mistook his wife for a hat 3/103; letters 23/103, 24/103, 25/105; review of A Paradise Lost, the Neo-Romantic imagination in Britain 1935-55 15/108, André Masson 14/109, Futurism in Flight 26/141; obituary of André Masson 3/112; book review of Robert Hewison, The Heritage Industry, Michael Collins, Towards Post-Modernism, Jo Mordaunt Crook, The Dilemma of Style, Nigel Whiteley, Pop Design: Modernism to Mod 26/116; Not so much an exhibition … some 20th C. Italian Artists at the Royal Academy 6/124; book review of Edward Timms and Peter Collier (eds), Visions and Blueprints - Avant-garde Culture and Radical Politics in Twentieth Century Europe 23/125; review of The Art of Photography 1939-89 19/131, Max Ernst 11/145, Alberto Savinio 21/155, Alexander Calder 24/156, René Magritte 13/158, 26/159; letters 27/159; review of Richard Hamilton 3/159, Juan Gris 17/161, Roy Lichtenstein 7/165; book review of Meredith Etherington-Smith, Dalí 30/166; review of Paris Post-War 17/169; book review of John McDonald (ed), Peter Fuller Modern Painters - Reflections on British Art 31/171; review of Stephen Willats 29/172, Pablo Picasso 3/174, 26/175, Salvador Dalí 9/175, Georg Baselitz 39/178; book review of Joseph Cornell’s Theatre of the Mind 45/179; review of Worlds in a Box 17/183, Man Ray 16/184, Fetishism exhibition 17/187, William Turnbull 37/192; book review of David Sylvester, About Modern Art – Critical Essays 1948-1996 68/200; review of Inside the Visible 41/202; book review of Fiona Bradley, Surrealism, Mary Ann Caws, The Surrealist Look, Matthew Gale, Dada and Surrealism, Ian Gibson, The Shameful Life of Salvador Dalí, Robert Radford, Dalí, George Melly, Don’t Tell Sybil – an Intimate Memoir 40/214, Michel Remy, Surrealism in Britain, Jack J Spector, Surrealist Art and Writing 1919/39 48/229
• Repetivity – Platforms and approaches for publishing review by Katharine Meynell & Susan Johanknecht 56/236
• Report (Not Announcement) review by Michael Gibbs 39/295
• resale right see artlaw
• resale royalty (droit de suite) see Artlaw
• Ressler, Oliver and Szylak, Aneta (eds) Alternative Ecoomics, Alternative Societies, book review by Dave Beech 35/325
• restorations and replicas see Artlaw
• Retrace your steps: Remember Tomorrow review by David Musgrave 27/233
• Reverberator review by JJ Charlesworth 33/258
• Revolution I Love You review by Matt Price 27/323
• Rewind review by Gilda Williams 25/191
• Re-writing History review by Julian Stallabrass 17/143
• Rewriting History: Another Story by Rasheed Araeen 52/247
• Reykjavik Arts Festival Shumon Basar 48/318
• Reynaud-Dewar, Lili: The Power Structures, Rituals & Sexuality of the European Shorthand Typists review by James Clegg 31/330
• Reynolds, Adam obituary 17/ 291
• Reynolds, Anthony Zeitgeist 11/62
• Reyntiens, Patrick English Romanesque 21/77
• Rheims, Bettine & Bramly, Serge Deke Dusinberre on 1/235
• Rheinsberg, Raffael review by Cathy Courtney 17/112
• Rhoades, Jason obituary 23/300
• Richard, Nelly Margins and institutions: art in Chile since 1973, book review by Guy Brett 25/104
• Richards, Ben Reading Matter, review by Cathy Courtney 47/227
• Richards, Ceri review by Andrew Smith 8/50, Margaret Garlake 17/88
• Richards, Paul review by Alex Macgregor 14/48
• Richardson, Craig review of Lux Europae 23/162; review by Michael Archer 23/165, Roy Exley 27/203; review of Greyscale/CMYK 39/260
• Richman, Martin review by Simon Morley 28/162
• Richmond, Peter review by David Thomas 27/15
• Richon, Olivier review by Julian Stallabrass 29/188
• Richter, Gerhard review by Michael Archer 14/115, Greg Hilty 27/131; letters 29/153; review by Conor Joyce 3/162, Andrew Wilson 32/188; Multiples, review by Andrew Wilson 48/230; Richter, Gerhard: Forty Years of Painting feature by Karen Rosenberg 1/255 review by Rosie Lesso 35/322
• Richter, Paul Modernism and After Part 1 3/54, Part 2 5/55; Art and Aspirations 6/81
• Rickaby, Tony review by Peter Dormer 28/57; letters 26/121
• Rickett, Sophy review by Dave Beech 44/232, Clare Manchester 34/264
• Rickey, George recent work 4/69
• Rideal, Liz review by Mark Gisbourne 39/196
• Riegl, Alois Historical Grammar of the Visual Arts , book review by Joseph Masheck 34/ 285
• Riemschneider, Burkhard & Grosenick, Uta Art at the Turn of the Millennium/L’Art au Tournant de l’An 2000, book review by Alex Farquharson 54/232
• Rietveld, Gerrit review by Peter Allison 18/142
• Rigden, Geoff review by Peter Davies 10/66
• Right-On, Write-Off review by Andrew Hunt 32/299
• Riley, Bridget On Travelling Painters 5/39; review by Paul Kopecek 12/47, Margaret Garlake 28/181, Alex Farquharson 35/229, Margaret Garlake 23/269
• Rimbaud Centenary: Plymouth 1991 review by John Furse 26/152
• ringier, jrp, Ruf, Beatrix, FILE Megazine General Idea, review by Sally O’Reilly 32/329
• Rist, Pipilotti review by Gilda Williams 34/197, review by Elisabeth Mahoney 29/247 review by Alex Coles 25/330
• Ristelhueber, Sophie/Dávila, Jose/Salcedo, Doris review by Dan Smith 33/251
• Ritchie, Matthew review by Dan Smith 41/252
• Rites of Passage review by Robert Garnett 28/188
• Rittner, Luke interview by Peter Dormer 35/74
• Rivera, Diego Guy Brett 7/109, review by Terry Smith 4/111
• Rivers, Larry obituary 22/259
• Roadshow review by Catherine Wood 34/269
• Robbins, Bruce review by Rosetta Brooks 22/4, Frederick Ted Castle 15/56
• Robbins, David and Pountain, Dick Cool Rules, book review by Paul Barlow 42/245
• Robert Adrian X review by David Lillington 38/253
• Robert Smithson Now see Joseph Masheck
• Roberts, Bryan review of Barry Martin 14/21
• Roberts, Graham Full Days in Dublin 10/120
• Roberts, Jane (ed) Growing up with the Impressionists: The Diary of Julie Manet, book review by Nicolas Wadley 23/115
• Roberts, John review of Sean Scully/Tony Scherman 11/29, Ruscha and Kertész 20/33, Ian McKeever 17/34, Five Days 15/36, Stuart Brisley 5/46, John Walker 15/49, Kerry Trengove 11/51, Post-Modernism 27/55, Leon Golub 17/59, Post? Modern? Ism? 15/60, Philip Guston 9/61; book review of Peter Wollen, Readings and Writings: Semiotic Counter Strategies 24/62; Masks and Mirrors 5/63; interview with David Salle 3/64; review of Means and Ends 4/65, Hyping Hype 3/67, Three men in a studio 11/68, The Sculpture Show 14/70; interview with Barbara Kruger 17/72; review of Principles of Motion 17/73, Derek Jarman 7/75, The forgotten fifties 15/77, Making Modernity Work 25/76, The Hard Won Image 15/79; letters 25/79; Rereading Adorno 27/81; book review of Charles Harrison and Fred Orton (eds), Modernism, Criticism, Realism - Alternative Contexts for Art 26/85; review of Jo Spence 6/87; Polemics 30/92; review of Tim Head 16/97, The Poster and Counter Public 9/98; review of Stuart Brisley 15/100; Polemics: Art and value: a philosophical dialogue 24/103, review of Sue Atkinson 19/109, Three Irish Artists 23/118; book review of Rowena Chapman and John Rutherford (eds), Male Order 28/121; letters 30/122; book reviews of Peter Halley, Collected Essays 1981-87 26/124, Robert Lumley (ed), The Museum Time Machine 28/126; Postmodernism, Politics and Art, book review by John Cornall 25/137; book review of Alex Callinicos, Against Postmodernism: A Marxist Critique 26/137; review of Richard Misrach 26/139, German art 15/150; on visual technologies 11/156, 27/157; book review of John Berger, Keeping a Rendezvous 22/157; obituary of Jo Spence 33/158; (ed) Art Has No History!book review by Gavin Butt 41/180; Notes on 90s Art 3/200; letters 19/201, 14/207, 19/208; The art of interruption: realism, photography and the everyday, book review by Mark Durden 43/220; book review of Ralph Rumney, Le Consul, Raoul Vaneigem (J-F Dupuis), A Cavalier History of Surrealism 52/240; Philosophizing the Everyday: Revolutionary Praxis and the Fate of Cultural Theory, book review by Jonathan Harris 35/303 The Intangibilities of Form: Skill and Deskilling in Art After the Readymade, book review by Joan Key 38/314
• Roberts, Perry review by Liam Gillick 19/147
• Roberts, Rees review of Nigel Rolfe 22/19
• Roberts, Tim review of Ivon Hitchens 17/26, David Jones 19/27, Royal Academy Summer Exhibition 21/28
• Robertson, Fyfe Robbie Programme 4/11
• Robertson, Helen review by Juan Cruz 27/190
• Robertson, Iain Public art galleries’ acquisitions policy 29/145; profile of Norman Rosenthal 18/148; Berggruen collection 21/149
• Robins, Tessa review by Michael Archer 31/132, Margaret Garlake 19/155
• Robinson, David Chaplin: His Life and Art, book review by Kevin Gough-Yates 24/87
• Robinson, Hamish and Pigott, Hadrian Rifuiti: Rome July 2005, review by Stephen Bury 35/295
• Robinson, Hilary letters 21/81; review of Marie-Jo Lafontaine 12/127
• Robinson, Kenneth comment by the Chairman of the Arts Council 31/47
• Robinson, Maslee Working as an Artist Part 1 33/36, Part 2 32/37
• Rocha, Miguel Angelo review by Roy Exley 28/202
• Rockenschaub, Gerwald/Demand, Thomas review by Sotiris Kyriacou 29/243
• Rodchenko, Aleksandr review by by Ronald Hunt 14/24, Susan P Compton 19/10; Aleksandr Rodchenko and Vavara Stepanova, review by Stuart Morgan 18/134
• Rodin, Auguste review by Anthony Barnett 5/102
• Rodney, Donald review by Adeola Solanke 13/124
• Rodney, Donald Gladstone obituary by Eddie Chambers 21/215
• Roe, Andrea Big cat sighting, review by Stephen Bury 43/270
• Roesink, Macha and van der Valk Bouman, Milka (eds) Black My Story, review by Eddie Chambers 41/272
• Rogers, Alan Considering residencies 5/109
• Rogers, Martin and Cutts, Simon (eds) The Printed Performance: Brian Lane Works 1966-99, book review by David Briers 41/254
• Rogoyska, Marta review by Peter Dormer 32/75
• Rolfe, Nigel review by Rees Roberts 22/19
• Rolo, Jane and Hunt, Ian (eds) Book Works: A Partial History and Sourcebook, book review by Cathy Courtney 67/200, by Andrew Lambirth 47/202
• Romania art in, review by Malcolm Miles 12/112; letters 24/113, 26/114
• Romantic spirit in German art review by John Willett 3/180
• Rondinone, Ugo review by Gilda Williams 37/260
• Rondinone, Ugo/Toderi, Grazia review by Gilda Williams 25/251
• Roodhouse, Simon The challenge for RAAs 9/109
• Root: Thurston Moore review by Robert Garnett 30/221
• Rorimer, Anne New Art in the 60s and 70s: Redefining Reality, book review by Michael Archer 49/255; obituary of Sol Lewitt 18/307
• ROSC review by Cyril Barrett 11/80; letters 31/122
• Rose review by Michael Archer 7/155
• Rose, Margaret A Marx’s Lost Aesthetic: Karl Marx and Visual Arts, book review by René Gimpel 29/96
• Rosefeldt, Julian review by Martin Herbert 24/ 280
• Rosemont, Franklin André Breton and the first principles of Surrealism, book review by Norbert Lynton 34/15
• Rosen, Kay/Collis, Susan review by James Clegg 24/320
• Rosen, Kay review by Mark Thomson 22/141
• Rosenberg, Harold review by Brandon Taylor 4/28
• Rosenberg, Karen The Real Richter? feature on Gerhard Richter: Forty Years of Painting 1/255; review of American Effect 40/270; letters 19/273
• Rosenblum, Adi & Muntean, Markus review by David Burrows 23/205
• Rosenquist, James review by Alison Green 16/301
• Rosenthal, Michael The Death of British Art History 3/125; letters 25/126
• Rosenthal, Norman profile by Iain Robertson 18/148
• Rosler, Martha review by Barbara Pollack 34/239 interview with Iwona Blazwick 1/314
• Ross, Monica valentine, review by Clive Phillpot 46/247
• Rotella, Mimmo obituary 18/294
• Roth, Daniel review by Tony Wood 25/294
• Roth, Dieter obituary by Clive Phillpot 20/218, review by Michael Archer 22/269
• Rothenberg, Erika review by David Barrett 28/185
• Rothenberg, Jerome & Tyson, Ian Delight/Delices and other Gematria, review by Cathy Courtney 43/221
• Rothenburg, Susan review by Monica Petzal 15/84
• Rothenstein, Michael review by Margaret Garlake 20/100; Mel Gooding, Michael Rothenstein’s Boxes, book review by Anna Cohen 23/155
• Rothko, Mark The Rothko Wrangle 3/6; review by Peter Fuller 3/20, James Hall 12/109; Convention and Deconstruction by Terry Atkinson 10/131; letters 35/133; review by Simon Morley 9/198; see Mark Prince
• Rothman, William Hitchcock: The Murderous Gaze, book review by Kevin Gough-Yates 27/65
• Rothschild, Eva interview by Ian Hunt 1/311
• Rothon, Tony Hayward Annual 1977 11/8
• Rothwell, Vivien Jackson and Charles Pollock 14/26
• Rowall, Margit (ed) Joan Miró: selected writings and interviews, book review by Duncan Macmillan 28/108
• Rowe, Cliff review by Margaret Garlake 17/103; letters 25/104
• Royal Society of Arts The Arts Matter, book review by Margaret Garlake 39/215
• Rubin, William Pablo Picasso, book review by Brandon Taylor 29/41
• Ruby review by Gilda Williams 47/253
• Rückriem, Ulrich review by Astrid Schmetterling 13/152
• Rudenstine, Angelica Zander review by John Willett 25/54
• Ruf, Beatrix, ringier, jrp FILE Megazine General Idea, review by Sally O’Reilly 32/329
• Ruff, Thomas review by Pryle Behrman 33/268
• Ruff, Thomas/Grimonprez, Johan review by Sara Harrison 32/263
• Ruggaber, Karin/ Daniëls, René review by Alicia Miller 41/259; Istanbul Buildings and Materials, review by Stephen Bury 35/295
• Ruggiero, Vincenzo The Situationists Reconsidered 20/131
• Rullier, Jean-Jacques 10 Boucheries, review by Cathy Courtney 43/223
• Rumley, Peter book review of Bruce Laughton, The Euston Road School 24/107
• Rumney, Ralph Pompidou’s multi-coloured dream-machine 1/4; Marchand du sel 3/8; Asger Jorn 18/9; The End of Art is not the End 3/17; Un certain art Anglais 17/24; book review of Guy Atkins and Troels Anderson, Asger Jorn: Supplement to the catalogue of paintings 27/97; on ICA 3/111; letters 30/122; review by Margaret Garlake 17/125; interview with Stewart Home 3/127; book review of Greil Marcus, Lipstick Traces, a Secret History of the Twentieth Century 30/130; Le Consul, book review by John Roberts 52/240; retrospective 53/240; obituary by Toby Treves 19/255
• Ruppersberg, Allen review by Gilda Williams 39/228, Martin Vincent 33/296
• Ruscha, Ed review by John Roberts 20/33, Mark Thomson 22/141, David Musgrave 26/237; interview by Patricia Bickers 1/252; review by Mark Godfrey 31/281, Clive Phillpot 26/295 review by Patricia Bickers 20/332
• Rush, Michael New Media in Art, review by Michael Gibbs 39/293
• Rushton, David and Wood, Paul (eds) Politics of Art Education, book review by Rory Coonan 31/24
• Russell, Caroline review by Liam Gillick 22/127, Mary Anne Francis 15/143
• Russell, John The Meaning of Modern Art, book review by Bernard Denvir 32/58
• Russell, John review by Dan Smith 32/258, Andrew Hunt 31/307 Frozen Tears III review by Maria Fusco 39/313
• Russia, Art from 7/102; book review by David Evans 24/153; constructivism exhibition review by Peter Nisbet 11/143; new art from, review by Susan E Reid 31/179
• Russian Avant-Garde Book 1910-1934, The review by Andrew Wilson 47/257
• Russo, Antonella review of Cindy Sherman 8/181; profile of Georgina Starr 24/185
• Rust, Roland & Eichelmann, Volker, Marshall, Mike review by Sara Harrison 39/268
• Ruszkowski, Zdzislaw review by Margaret Garlake 17/101
• Rut Blees Luxemburg review by Dave Beech 44/232, Maria Walsh 51/242
• Rutherford, John and Chapman, Rowena Male Order, book review by John Roberts 28/121
• Rüthi, Andreas Still life paintings, book review by Juan Cruz 69/200
• RV+A 98 review by Maria Walsh 37/221
• Ryan, David review of Max Neuhaus 42/275; book review of Jonathan Harris (ed) Critical perspectives on Contemporary Painting: Hybridity, Hegemony, Historicism 42/279; review of Christoph Cox and David Warner (eds) Audio Culture - Readings in Modern Music 39/284, Ryoji Ikeda, Formula 39/287review of Ellsworth Kelly 30/296, Phill Niblock 43/304, Sonia Boyce 40/307, Leafcutter John 41/309, Prunella Clough 23/310 obituary of Noel Forster 16/315; review of François Morellet: 60 Random Years of Systems 21/315; book review of Carolyn Brown, Chance and Circumstance: Twenty Years with Cage and Cunningham 36/315; review of Luigi Nono 35/317, To become like music: late modernist painting, performance and the musical avant-garde 1945-1965 28/319, The Photographic Object 28/327
• Ryan, Paul review by Margaret Garlake 16/67
• Rykwert, Joseph book review of J Mordaunt Crook, William Burges and the High Victorian Dream 25/54
• Ryman, Robert review by Monica Petzal 14/12, Simon Morley 10/164, Rosie Lesso 24/299