A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Index: O

• Oberhausen Film Festival review by George Clark 46/308 review by Ian Hunt 37/317
• Object of Art, The: beyond the readymade by Michael Archer 13/208
• Objective State, The review by Mark Durden 24/165
• Object Quality of the Problem, The review by Anna Dezeuze 27/318
• Objects of Desire review by Margaret Garlake 38/212
• O’Brien, Colm Art in Ireland 12/5
• O’Brien, Kevin review by Margaret Garlake 21/79
• Obrist, Hans Ulrich on art in the new millennium 8/232; text for Carsten Nicolai, Autopilot, review by Dan Smith 48/268, (ed) Cedric Price, Re:CP, book review by Bruce Haines 42/273; dontstopdontstopdontstopdonstop, book review by Richard Grayson 42/304 A Brief History of Curating, book review by Peter Suchin 38/324
• Obsession review by Andrew Cross 31/193; see Maria Walsh
• Ocampo, Manuel review by David Burrows 30/218
• Occupying Territories review by Paul Usherwood 31/181
• Occurrences/New York Frederick Ted Castle 15/145, 11/152, 11/160; letters 22/109
• O’Connell, Eilis review by Conor Joyce 28/171
• Odani, Motohiko review by David Barrett 29/ 287
• Odling-Smee, James Polemics, on GATT 25/173, on sponsorship 18/175, 20/178, on national lottery 24/180, on quangos 25/183; review of Peter Kennard and Ken Livingstone 40/184
• O’Donoghue, Hughie review by Margaret Garlake 17/88
• Oechsler, Monika review by Maria Walsh 35/218, Maria Walsh 32/272
• Oehlen, Albert review by Michael Corris 34/302
• Office of Misplaced Events (Temporary Annexe), The review by Deborah Schultz 31/233
• Off the Wall review by Rosie Lesso 38/304
• Offside: Contemporary Artists and Football review by Andrew Cross 37/198
• Ofili, Chris review by Godfrey Worsdale 27/198, Dave Beech 31/217
• Oillie, Jennifer review of John Hoyland 25/2; Painting with a creed 5/3; review of Greg Curnoe 26/3, Washington 3/23; Surrealism in Canadian Art 20/23; Design and Packaging 17/25; Technology and Dysfunctionality 11/37; review of Hamish Fulton 8/42; Report from Canada 20/42; Taller de Arquitectura 17/44; review of H C Westerman 13/45; Artnotes 22/49; Collaboration: Art and Architecture 2/52; Toronto, Berlin and a suitcase 9/62; Canada’s Wonderland 2/71; Aurora Borealis 10/89
• O’Keeffe, Paul Some Sort of Genius: A Life of Wyndham Lewis, book review by David Peters Corbett 49/247
• Oiticica, Hélio review by Anna Dezeuze 29/308
• Oiticica, Hélio/Gillick, Liam review by Mark Harris 24/257
• Oldenburg, Claes interview by Patricia Bickers 3/171; feature by Mark Sladen 3/197
• Olitski, Jules review by John Cornall 28/141; obituary by Ian Hunt 15/305
• Oliveira, Nicholas de with Michael Petry, Nicola Oxley, Michael Archer, Installation Art, book review by Brian Hatton 32/176
• Oliver, Cordelia Demarco 10th Anniversary 23/3
• Olowska, Pauline review by Catherine Wood 32/265
• Olsen, Geoffrey review by Richard Leachman 15/80
• Olympic Village review by David Burrows 23/213
• Omega Omega Workshops review by Frances Spalding 26/73
• On Criticism see Sally O’Reilly
• Oncethemostdenselypopulatedplaceonearth review by Martin Vincent 33/260
• O’Neill, Amy review by Mark Wilsher 24/305
• O’Neill, Paul Curating U-Topics: feature on euro-curating 7/272 I am a Curator 7/275; letters 13/277 ; book review of Christoph Tannert, Ute Tischler (eds) MIB - Men in Black: Handbook of Curatorial Practice 35/285; review of Can Buildings Curate 34/ 287, Curating Degree Zero Archive 40/288; The Co-dependent Curator: feature 7/291; book review of Alex Coles, DesignArt: art’s romance with design 35/294; book review of Elena Filipovic and Barbara Vanderlinden (eds) The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennales in Post-Wall Europe 44/299; Group Practice: feature on group curating 7/304; review of Freee: How to Make a Difference 37/311 review of If I Can’t Dance, I Don’t Want to be Part of Your Revolution 31/313, Be(com)ing Dutch 22/320; ed., Curating Subjects, book review by Barnaby Drabble 36/320; review of This is the Gallery and the Gallery is Many Things 27/324; Mad Love: interview with Elizabeth Price 1/326
• On General Release: Avant-garde and Artists’ Films in Britain 1968-72 review by Ian White 36/263
• On Patrol review by Michael Gibbs 24/ 284
• On Sculpture see Mark Prince
• On The Collective for Living Cinema review by Sally O’Reilly 31/310
• On the Dome Front see Dave Beech
• One million cubic feet review by Tony white 40/183
• Once More with Feeling see feature by Mark Prince
• Onslow Ford, Gordon obituary 23/273
• Ono, Yoko review by John A Walker 16/136
• Onwards and Upwards review by Neil Mulholland 26/216
• Onwin, Glen review by Duncan Macmillan 20/19
• Op art see Vincent Pécoil; review by Michael Corris 23/306
• Open City: Street Photographs Since 1950 review by Emma Safe 26/247
• Open Spaces Conference review by Clair Joy 44/202
• Open Systems: Rethinking Art c1970 review by Anna Dezeuze 33/ 288
• Opera & Video see feature by Chris Townsend
• Opie, Catherine review by Cherry Smyth 33/240, Gilda Williams 28/ 274
• Opie, Julian review by Cathy Courtney 31/89, Michael Archer 14/115, 3/144, Liam Gillick 26/172, Philip Sanderson 25/198, Pryle Behrman 31/244
• Oporto, festival of contemporary art review by Andrew Wilson 31/172
• Oppenheim, Dennis review by Daniel Jewesbury 25/245 review by Lisa Le Feuvre 36/317
• Oppenheim, Lisa profile by Lisa Le Feuvre 14/301
• Oppenheim, Meret review by Robert Ayers 17/56, Krzysztof Fijalkowski 24/132
• O’Pray, Michael RCA Film and Television 32/68; Performance and Video 31/79, 36/80, 25/81, 37/82, 32/83, 34/85, 32/88, 35/89, 28/90, 22/91, 34/92, 33/93, 36/94, 34/95, 34/96, 34/97, 28/100, 38/100, 25/101, 33/101, 35/102, 32/103; Television 28/119; Moving Pictures: Derek Jarman 34/117; Video: London Film Festival 31/113, Joyce Wieland 32/114, ICA 32/115; Film: Borderline 36/116; Movie Wannabes; on artists as film directors 1/210; letters 18/211; ‘Cinephilia’ on film and video 13/224; review of Gilbert & George, The World of Gilbert George: The Storyboard 51/248, Andy Warhol & Sound and Vision 27/249; interview with Michael Snow 9/256; book review of Mark Cosgrove and Josephine Lanyon, John Smith: Film and Video Works 1972-2002 43/261
• Opting Out JJ Charlesworth 38/317
• Ordering the Ordinary review by Tony Wood 30/ 289
• Orange, Mark review of Philip Napier 35/204, Susan MacWilliam 31/208
• O’Reilly, Sally review of Joanne Tatham & Tom O’Sullivan 31/260, Andrew Mania 33/261, Mamma Andersson 38/262, Anna Gaskell 33/263, Simon Martin 39/265; Live and Kicking: feature on live art 1/266; review of Beagles & Ramsay 22/267, Alison Turnbull, Spring Snow – A Translation 38/267, Lawrence Norfolk and Neal White, Ott’s Sneeze 38/267, profile of Anna Barriball 22/268; review of 15/1² 32/269, Not Always The Same 27/270, Lucy Gunning 16/271, Andreas Slominski 31/272, Matthew Tickle 33/ 274, Mike Kelley 26/ 275 ; Jake Tilson 40/ 276, Radio Radio 39/ 277 ; Berlin Round-up 38/279 , Valie Export 31/ 280 , Martin Creed 34/281 , Love Story, Brighid Lowe 32/ 282 , 100 Artists See God 16/ 283 , Henrick Plenge Jakobsen 29/284 , Africa Remix 27/ 286 , letters 14/ 287 , 17/288 , review of Andreas Slominski 24/287 ; Self-reflexivity, feature 7/ 289 ; Letter from New York 33/291, The Animators 32/293, Claire Hooper, Victim 34/294; On Criticism: feature 8/296, letters 14/297; review of Zarina Bhimji 31/297, Gimpel Fils 60th Anniversary Exhibition 31/299; Edinburgh Round-up 40/300; Letter from Palestine 35/301; Dead Funny: feature 7/302; review of Lapdogs of the Bourgeoisie 19/303, letters 11/305, A Secret Service 29/304; Letter from Stockholm 34/305; review of Keith Wilson 34/306; review of Venice Biennale 27/308, Memorial to the Iraq War 41/308, Fallujah 41/308, Noble & Silver 35/309, Collective for Living Cinema 31/310 review of Peter Fend 34/313, Laughing in a Foreign Language 25/314, Jérôme Bel 37/315, Sonsbeek 2008: Grandeur 34/318; book review of Sarah Thornton, Seven Days in the Art World 32/321; review of Michael Snow 23/323; Another Fine Mess: feature 11/326; review of Desiring Necessities 34/327, Beatrix Ruf, jrp ringier, FILE Megazine General Idea 32/329; book review of Kenneth Hayes, Milk and Melancholy 35/330; review of Deimantas Narkevičius 23/332, Graham Parker, Fair Use (Notes from Spam) 34/332
• Orbis Terrarum ‚ Ways of Worldmaking review by Pryle Behrman 45/240
• Order v Chaos see Andrew Wilson
• Original Copies review by Ian McKay 24/142
• Orlan review by Libby Anson 35/197
• Orlow, Ruth & Maclennan, Ruth Re; the archive, the image, and the very dead sheep, review by Stephen Bury 33/ 285
• Ormond, Emily book review of William Boyd, Nat Tate. An American Artist: 1928-1960, Alba Branca, Muse 50/218
• orphan works see Artlaw
• Orozco, Gabriel review by Simon Grant 33/199 , Anna Dezeuze 35/279, Alex Coles 22/301
• Orton, Fred Figuring Jasper Johns, book review by Gavin Butt 42/184
• O’Sullivan, Tom & Tatham, Joanne review by Martin Vincent 25/301
• Osbaldeston, David (ed) On Communication , book review by Kathy Battista 36/ 291, JJ Charlesworth 33/300
• Osborne, John review of Kevin Storch 23/4
• Osborne, Peter (ed) Conceptual Art, book review by Liam Gillick 40/264
• Other Criteria review by David Briers 29/272
• Otolith Group: A Long Time Between Suns Part 1 review by Stephen Lee 30/325
• Oulton, Thérèse review by Margaret Garlake 14/114
• Our Wonderful Culture review by Margaret Garlake 18/93
• Oursler, Tony review by Chris Meigh-Andrews 24/171
• Oursler, Tony & Kelley, Mike review by Mark Harris 37/268
• Out of Actions: Between Performance and the Object, 1949-79 by Robert Ayers 1/214
• Out of our heads John Roberts 11/156, 27/157
• Out of Place: Memory, Imagination and the City review by Claire Doherty 26/241
• Out of sight out of mind review by Andrew Wilson 19/165
• Out There Michael Wilson on 7/237
• Outer space review by Caroline Smith 20/156
• Outsider art 7/108; letters 31/112; Alex Farquharson on 1/242
• Overnight to Many Cities: Tourism and Travel at Home and Away review by Alison Green 26/257
• Over the Edges review by Michael Archer 33/236
• Over the limit review by Andrew Wilson 21/169
• Overy, Paul review of Richard Long 21/4; Post-Fullerly Impressionism 16/17; review of The Square and the Circle 30/18; Sontag and Berger 10/20, Painters in Parallels 18/20; Polemics: The ‘Specialness’ of Art and Artists 30/23; Polish Pluralism 12/28; Edinburgh’s Polish Month 10/30; Foksal at ICA 21/33; Abstraction’s retreat 11/35; The enigma of a shudder 10/36; Modernism and mussels 11/37; Artist and Camera 8/42; review of Ian Breakwell 16/45, Late Sickert 5/52, Käthe Kollwitz 11/53, Adrian Stokes 13/58, Theo van Doesburg 8/60, Peter Blake 12/64; Constructivism in Poland 14/74; review of Edvard Munch 6/82, Josef Albers 8/87, Michael Horsley 16/88, Hungarians in Glasgow 12/91, Contemporary Norwegian Art 13/93, Paolozzi’s Underground 12/94, ‘From figuration to abstraction’ 22/102, Paul Neagu 20/106; book review of Susan Sontag, On Photography 10/120; review of Polish Art at Oxford 19/121, Polish Realities 26/122, Josef Albers 15/118, Rudolf Fila 24/129; Eastern Europe – Democracy and the Arts 2/136; review of Rasheed Araeen 19/145, Pioneers of Modern Furniture 17/147; public art commissions 2/148; review of Pryde and Clérambault 20/160, Czech and Slovak art 30/178, Richard Paul Lohse 27/206, Piet Mondrian 30/209; letters 18/211; review of Vasily Kandinsky and New Art for a New Era 39/227
• Owens, Laura review by David Gleeson 23/301
• ownership of public art commissions see Artlaw