Interviewed by Olga Smith
Francis Frascina
Mark Prince
Chris McCormack
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Philippe Parreno interviewed by Olga Smith
The French artist, one of a group who emerged in the late 1990s associated with the curator Nicholas Bourriaud, talks about his commission for the Turbine Hall, about directing the audience's gaze and about turning an exhibition into a sentient being.
At Tate there are situations where we play and things react – triggered by the bioreactor – so the whole thing becomes this weird biomechanical machine.
Francis Frascina asks why no one is interested in Jackson Pollock any more
Three new exhibitions, including a blockbuster at the Royal Academy, provide an opportunity to examine the hidden processes of persuasion that surround Abstract Expressionism and to highlight those who seek to counter such rhetoric.
Lee Krasner was shocked at being 'kicked out of the gallery because I was Mrs Jackson Pollock'.
From the Back Catalogue |
Abstract art has performed a 50-year volte-face argues Mark Prince
How do iconic paintings by Andy Warhol, Frank Stella and Mark Rothko, when reconsidered alongside work by contemporary artists including Mark Grotjahn, Laura Owens and Amalia Pica, reveal abstract art's continuing hidden power?
Frank Stella's stripes are paths along which a narrative is plotted. It is characteristic of formalist criticism of the period that, although it inveighed against the minimalist objectification of artworks as mere 'literalism', its insistence on the nuts and bolts of pictorial structure can be over-literal.
Back in 2000 when artist Liam Gillick posed the question 'Were people this dumb before television?', no one foresaw the new dark age of disinformation that social media was about to usher in.
US satirist Stephen Colbert defines truthiness as 'the quality of preferring concepts or facts one wishes to be true, rather than concepts or facts known to be true', except that in the post-truth era facts have very little to do with anything.
An exhibition held on the site of a terror attack in Baghdad is to be restaged after police closed it down; the gallery at Glasgow Sculpture Studios is to close; the closure of Edinburgh's Inverleith House gallery is to be scrutinised by the culture secretary; LA galleries suffer anti-gentrification attacks in a hate crime row; central Chicago is brought to a halt as students protest outside the Art Institute; the London mayor wants to form a Creative Land Trust to safeguard artists' studios in the capital; the latest news on galleries, appointments, prizes and more.
Alister Warman
WantedThe Missing Issue |
Readers with very long memories may remember – and the sharp-eyed among those who have accessed AM's back catalogue online may have noticed – that something is missing from the year 1978. A quick count would soon reveal that only nine issues were published that year instead of ten.
The missing magazine is for the month of April, which would have been issue 16. Instead, the number was carried over seamlessly to the May issue, which ran a fulsome apology and explanation from Peter Townsend and his co- editor and publisher, Jack Wendler: 'The fact is that we got behind on schedules and despaired and decided that the only way to pick up on schedules was to drop an issue.' The apology concludes with the words, 'We'll try not to let it happen again' – and it didn't.
To celebrate 40 years of continuous publication, AM is inviting readers to help create a virtual issue for April 1978 to complete the set, which will be published online in April next year. Contributors are invited to research or simply to imagine what might have been in the issue (for reference, the May 1978 issue can be viewed online). For further information, specifications and conditions check the AM website: www.artmonthly.co.uk/missing-issue
Baltic, Gateshead
Maria Walsh
The Photographers' Gallery, London
George Vasey
The Tetley, Leeds
Tom Emery
The Exchange, Penzance
Martin Holman
Yorkshire Sculpture Park, West Bretton
Virginia Whiles
The Whitworth, Manchester
Lauren Velvick
The New Museum, New York
Chris Clarke
Peer, London
Paul Carey-Kent
Firstsite, Colchester
Matthew Bowman
Bluecoat, Liverpool
Mike Pinnington
various venues
Bob Dickinson
various venues, Galway
Joanne Laws
John Douglas-Millar discovers that art remains vital to public debate
Festival director Peter Taylor is primarily interested in art film and it is here that the festival is strongest, presenting a feast of contemporary work with films by Luke Fowler, Laure Prouvost, Patrick Staff and others in the New Cinema competition.
Chris McCormack reads about experimentation in literature and life
While the pleasure of an art critic's life is something rarely discussed or mused upon – for largely good reasons – the assembled texts and photographs by artist Joseph Grigely of Gregory Battcock's multifarious life is certainly an antidote to anyone feeling ill at ease with the increasingly hermetic professionalisation of the art world.
Laura Robertson finds past and present at Warsaw Gallery Weekend
Warsaw Gallery Weekend has been set up to encourage a more internationalist approach to contemporary art, rather than the previously perceived local, modernist one.
Andrew Hunt on artistic freedom and political control
When utopias, and especially dystopias, are mesmerising the political establishment to a dangerous level, it is clear that the simple act of description becomes a political act.
Naomi Pearce on a weekend of 'taking power by making power'
It was awkward, uncomfortable but felt entirely necessary, a reminder that however partial or fumbling the experience of it may be, active involvement is transformative.
Henry Lydiate on new services to help artists get paid by galleries
In the wake of the bankruptcy of the New York-based contemporary dealership Salander-O'Reilly in 2007, and the subsequent imprisonment of its principal director for fraud and theft, flaws in New York State's Arts and Cultural Affairs Law were exposed.
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Art Monthly's exhibition listings can be viewed online.